SHRI ESWARAYA NAMAHA

Thuthipporku Valvinaipom Thunbampom Nenjil Pathipporku Selvam Palithuk Kathithongum Nishtaiyum Kaikoodum Nimalar Arul Kanthar Sashti Kavacham Thanai Amarar Idar Theera Amaram Purintha Kumaranadi Nenjeh Kuri Sashtiyai Nokka Saravana Bavanaar Sishtarukku Uthavum Sengkathir Velon Paatham Irandil Panmani Sathangai Geetham Paada Kinkini Yaada Maiya Nadam Seiyum Mayil Vahananaar Kaiyil Velaal Yenaik Kaakka Vendru Vanthu Varavara Velah Yuthanaar Varuha Varuha Varuha Mayilon Varuha Inthiran Mudhalaa Yendisai Potra Manthira Vadivel Varuha Varuha Vaasavan Maruhaa Varuha Varuha Nesak Kuramahal Ninaivon Varuha Aarumuham Padaitha Aiyaa Varuha Neeridum Velavan Nitham Varuha Sirahiri Velavan Seekkiram Varuha Saravana Bavanaar Saduthiyil Varuha Rahana Bavasa Ra Ra Ra Ra Ra Ra Ra Rihana Bavasa Ri Ri Ri Ri Ri Ri Ri Vinabava Sarahana Veeraa Namo Nama Nibava Sarahana Nira Nira Nirena Vasara Hanabava Varuha Varuha Asurar Kudi Kedutha Aiyaa Varuha Yennai Yaalum Ilaiyon Kaiyil Pannirendu Aayutham Paasaan Gus

Kartikeya also known as Murugan, Skanda, Kumara, and Subrahmanya, is the Hindu god of war.  He is the son of Parvati and Shiva, brother of Ganesha, and a god whose l i8ife story has many versions in Hinduism. An important deity around South Asia since ancient times, Kartikeya is particularly popular and predominantly worshipped in South India, Sri Lanka, Singapore and Malaysia as Murugan. Kartikeya is an ancient god, traceable to the Vedic era. Archaeological evidence from 1st-century CE and earlier, where he is found with Hindu god Agni (fire), suggest that he was a significant deity in early Hinduism. He is found in many medieval temples all over India, such as at the Ellora Caves and Elephanta Caves. The iconography of Kartikeya varies significantly; he is typically represented as an ever-youthful man, riding or near a peacock, dressed with weapons sometimes near a rooster. Most icons show him with one head, but some show him with six heads reflecting t